Development Diary: Tom Lodge on 'discovering' his play
Tom Lodge is a working-class playwright and theatre maker with an interest in formally bold, politically engaged work. He talks…
Jo Clifford: Why I write
Jo is the author of over 80 works in every dramatic medium. Her work has been translated into many languages…
Kevin Loring: Why I write
Kevin Loring, the Director of Indigenous Theatre at the National Arts Centre Canada, considers the responsibility of theatre-makers to the work…
Prize Judge Kate Vokes on partnership between arts and business
Kate Vokes, Culture Director at Bruntwood and Judge for the Bruntwood Prize for Playwriting 2019 speaks to the power of…
Bridget Minamore on curating our 'Why I write' essay series
To mark the opening of submissions for the Bruntwood Prize for Playwrighting 2019, writer and critic Bridget Minamore introduces 6…
Development Diary: Sharon Clark in Canada
Sharon Clark won a Judges Award at the Bruntwood Prize for Playwrighting 2017 for her play PLOW. Sharon is at…
Development Diary: Tim Foley on travelling to the USA
Tim Foley won a Judges Award at the Bruntwood Prize for Playwrighting 2017 for his play ELECTRIC ROSARY. Tim will…
Development Diary: Tim X Atack on winning
Tim X Atack won the Bruntwood Prize for Playwrighting 2017 for his play HEARTWORM. He updates us on his journey…
Development Diary: Tim Foley on his Prize-winning play's American journey
Tim Foley won a Bruntwood Prize for Playwrighting in 2017 for ELECTRIC ROSARY. He has been developing the play in partnership with The…
Development Diary: Prize-winner Tim X Atack on sustaining a career as a playwright
Tim X Atack won the Bruntwood Prize for Playwriting in 2017 for HEARTWORM. Tim has been developing the play towards…