International Livestream workshops

At the heart of the Bruntwood Prize is collaboration and partnership – to support playwrights, to encourage people to tell stories, to see work on our stages and beyond.  All our partners recognize the power of new work reaching far and wide and the importance of audiences engaging with that work.

We’re delighted that for the second year running, we are hosting our free livestream workshops with some brilliant international playwrights across the globe. Tune in in March and April for the below!



Patricia Cornelius- Lovely, lovely, sometimes ugly dialogue-  March 25th with Playwriting Australia 

8am start time GMT, here on 

Playwriting Australia 

Playwriting Australia are the Australian national new play development company. They seek, develop and champion outstanding new Australian stories by unique playwrights that will inspire present and future generations. They connect talent with opportunity, bringing playwrights together with other theatre artists and companies to create an expanding repertoire of new plays and productions. They push to extend the art, ambition, quality, and diversity of playwrights and playwriting.


Patricia is a founding member of Melbourne Workers Theatre. She is a playwright, screenwriter and novelist.

The House of Bernarda Alba, an adaptation of Lorca’s play, was produced last June at the Melbourne Theatre Company.  In the Club, premiered last year at the Adelaide Arts Festival.

Patricia has written over thirty-five plays and they include: Big Heart, SHIT, Do Not Go Gentle, The Call, Love, Fever, Boy Overboard, Slut and Who’s Afraid of the Working Class? (with Andrew Bovell, Christos Tsiolkas, Melissa Reeves and Irine Vela).

Her prizes for stage work include the 2011 Victorian and NSW Premiers’ Literary Awards, the Patrick White Playwright’s Award, the Richard Wherrett Prize, the Wal Cherry Award and numerous AWGIES for stage, community theatre, theatre for young people. She won the prestigious Australian Writers Foundation Playwriting Award in 2015 as well as the Patrick White Fellowship (2012), and a Fellowship from the Australia Council’s Theatre Board. Patricia has won the AWGIE Major Award three times. She has recently been awarded the 2018 Mona Brand Playwrighting Award,

Patricia co-wrote the feature film adaptation Blessed, based on the play Who’s Afraid of the Working Class? She is currently developing a feature film, Stolen, with director and co-writer, Catriona McKenzie.

Patricia’s novel, My Sister Jill (Random House) was published in 2002.

Patricia is currently working on a major stage commission for the Melbourne Theatre Company.

Published by Currency Press: Lilly and May, Do not go gentle…, The Berry Man, Love, The Call, Who’s Afraid of the Working Class, Boy Overboard, SHIT. And Savages published by Playlab.



Naomi Iizuka Telling Ghost Stories- April 26th with Berkeley Rep

9.30PM GMT, here on  

How do we create blueprints for invisible worlds? How do we conjure and give voice to the ghosts that haunt us? In this workshop, we will explore the ghost story as a starting point and way of thinking about writing. We will look at how to embody and give voice to ghosts from both our personal and collective histories in order to speak evocatively to our historical moment.

Berkeley Repertory Theatre has grown from a storefront stage to an international leader in innovative theatre. Known for its ambition, relevance, and excellence, as well as its adventurous audience, the nonprofit has provided a welcoming home for emerging and established artists since 1968. Over 5.5 million people have enjoyed nearly 500 shows at Berkeley Rep, which have gone on to win five Tony Awards, seven Obie Awards, nine Drama Desk Awards, one Grammy Award, and many other honors. Berkeley Rep received the Tony Award for Outstanding Regional Theatre in 1997. Its School of Theatre engages and educates some 20,000 people a year and helps build the audiences of tomorrow with its nationally recognized teen programs. Berkeley Rep’s bustling facilities – which also include the 400-seat Peet’s Theatre, the 600-seat Roda Theatre, and a spacious campus in West Berkeley.


Naomi Iizuka’s plays include 36 VIEWS, POLAROID STORIES, ANON(YMOUS), LANGUAGE OF ANGELS, ALOHA, SAY THE PRETTY GIRLS, TATTOO GIRL, SKIN, AT THE VANISHING POINT, CONCERNING STRANGE DEVICES FROM THE DISTANT WEST, LAST FIREFLY, CITIZEN 13559, and WAR OF THE WORLDS (a collaboration with Anne Bogart and SITI Company.) Her plays have been produced at theatres across the country including Berkeley Rep, the Goodman Theatre, Actors’ Theatre of Louisville, the Guthrie Theater, Cornerstone Theater Company, Children’s Theater Company, Seattle Children’s Theatre Company, the Kennedy Center for Performing Arts, the Huntington Theatre Company, Portland Center Stage, the Public Theater, Dallas Theater Center, and Soho Rep. Iizuka’s plays have been published by Overlook Press, Playscripts, Smith and Kraus, Dramatic Publishing, and TCG. lizuka is an alumna of New Dramatists and the recipient of a PEN/Laura Pels Award, an Alpert Award, a Joyce Foundation Award, a Whiting Writers’ Award, a Stavis Award from the National Theatre Conference, a Rockefeller Foundation MAP grant, an NEA/TCG Artist‑in‑Residence grant, a McKnight Fellowship, a PEN Center USA West Award for Drama, a Hodder Fellowship, and a Jerome Fellowship. Her play GOOD KIDS was commissioned by the Big Ten Consortium’s New Play Initiative and has been produced at universities nationwide. Recent projects include an adaptation of SLEEP by Haruki Murakami which premiered at the 2017 BAM Next Wave Festival and was a New York Times Critics Pick, and WHAT HAPPENS NEXT, a play written in collaboration with US Marine Corps combat veterans and their families, and produced by La Jolla Playhouse and Cornerstone Theater Company. Iizuka was the 2017 Berlind Playwright-in-Residence at Princeton University. In 2018 she worked as a writer and story editor for Season 2 of THE TERROR on the AMC network which will air in 2019. She currently heads the MFA Playwriting program at UC-San Diego.


For more archived livestream workshops please see



14 Mar 2019


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