REPOST Lyndsey Turner- Writing Blind
During this public health emergency, the safety and wellbeing of our staff, artists, audiences and families comes first. We have been exploring ways in which…
During this public health emergency, the safety and wellbeing of our staff, artists, audiences and families comes first.
We have been exploring ways in which we can all remain connected and optimistic. The Bruntwood Prize has always been about much more than the winners. It is about opening up playwriting to anyone and everyone, to support anyone interested in playwriting to explore the unique power of creative expression. Therefore we want to make this website a resource now for anyone and everyone to explore theatre and plays and playwriting.
In the fourth writing provocation director and 2017 jury member Lyndsey Turner thinks about possibilities.
More than film or television, theatre is uniquely placed as a form to play with metaphor, to trade in the big questions, to ask ‘what if …’. Caryl Churchill’s play A Number is written around a single question: ‘what if cloning made it possible for a father who had mistreated his son to start again by creating a copy of the boy’? From that simple question, a narrative is built: the father is visited by three separate sons, all identical in appearance, all the result of his acceptance of a radical medical trial of a new scientific breakthrough. In fact, the dramatic form only heightens this idea: we the audience are aware that we’re seeing a single actor take on the role of these three sons, and the power of the work comes partly as a result of suspending our disbelief as this single actor meets his father three times. Working from a ‘what if’ can be a really interesting way in to a play, it allows a writer to alter one or more facts in the material world and imagine how differently something would play out in this new reality. Asking the unanswerable also allows the writer the freedom to not know something: plays which dare to imagine the world otherwise don’t have to be full of research and expertise. Sometimes it’s enough to share a question with an audience rather than answering it for them, and plays which start from a ‘what if’ can be profound and thrilling trips into the unknown for both writer and audience.