A letter to everyone who has entered the 2019 Bruntwood Prize for Playwriting
We are astonished to have received 2,561 entries to this year’s Bruntwood Prize for Playwriting – our biggest number of submissions ever! Over the last…
This year we received a staggering 2,561 submissions to the Bruntwood Prize for Playwriting – 35 per cent more than ever before. Since then the plays have been through a rigorous reading process to make it to the longlist, which we’re delighted to announce below.
Remember, if you’ve been successful it’s vital that anonymity is maintained throughout the judging process. If you see your title below do feel free to celebrate, but please don’t reveal the title of your script as this would break the anonymity and put your play at risk.
All of the plays submitted to the Bruntwood Prize for Playwriting are subjected to the same reading process. We’re proud of how this process of anonymity and a varied panel of readers enables us to level the playing field for new writers to compete alongside already established playwrights. Our dedicated team of readers are experienced in reading scripts for the stage and the group is made up of directors, dramaturgs, previous winners of The Bruntwood Prize, producers, literary agents, other theatre practitioners and artistic staff at the Royal Exchange Theatre.
You can find out more about the readers, their responsibilities, and their dedication to choosing the winning play over on our blog series.
Categories and prizes
For 2019 the Bruntwood Prize categories have evolved and the Judges will award:
Fifteen scripts will make the shortlist this year (five shortlisted for the International Award, as well as the usual ten for the UK awards) so the Longlist has been increased to 115 plays.
Of this 115, 56 per cent are eligible for the Original New Voice Award, and 15 per cent for the International Award.
14% – Razorke
A Canal Across A Park– Mavis Maguire
A Partnership: A Tragi-Comedy For Two Men– Artemis Ford
After The Peace– V J Epsom
AKEDAH– Sarah laughed to herself
And I Dreamt I was Drowning– Jade Cain
And It Rains– Fanny Tickler
Ballybaile– Rosaleen O’Brien
Bare Bones– Victoria M
Bare Girl– Tammy Roberts
Beautiful Autumn– J Lin
BITS– Sara Aria
black bird– black bird
Bones– Constance Gamble
Boys Build Forts– Rose Joes
CALVARY– Ekemma Adeyemi
Chekhov Got His Gun– TD
Chicken Burger N Chips– Daniel Mac
CHINOISERIE– Mee Yung Gin
COMMON: Parts I and II– SMOOTHIELAND
Cottontail– Wallace Gromit
Dad– Joni Wren
D’Annunzio– Eleanora Brevis
DEAD PIGEONS– Rainy Day
Death Metal Band– Britney Spears
ECHOES– Play Wright
FEEDING THE DOGS– Victor Jobanputra
FLEX– Toyota Tercella Red
Fragments– Oscar Kilo
Glass– Pepperjack
Glee & Me– Wham TakaTaka
Golden Boy– Liam Ridley
Hares– Charlotte Webb
Here Are Our Monsters– Flip N. Queer
How To Start A Knife Gang– Louie Miro
If Greenland Fell– Kurt-Vivian Delaney
In My Bones– Doc Petersen
In The Time of the Volcano– Ogred Weary
Integrity– Luke Roberts
Island People– Pearl Cortez
Jesus in Manhattan– Joan Brown
Just Stay– Nathalie Traganza
LET IT LIE– AJ Phoenix
Like I Care– Mary Wollstonecraft
LOOKING UP– Tweety73
Lovesick and Twisted– Kelly Dunbar
Maggie & Maire– Eustace Amadán
Masc– Gary Mabbutt
Me Myself I– C Michel
Me.– Oscar Lilman
Mobility– Katie Morag
Model Minority -Betsy Chee
My Brother’s Keeper– Susanna Dean
My Favourite Place In The Whole Wide World– Frankie Valli & The Four Seasons
Neptune– Genly Ai
Never Not Saying Exactly What You Mean– Lew Archer
Our Name is Not John– SmE
Out of Mind– Tebazile Retep
Park-e Laleh– Jalal Balkhi
Pavlov’s Dogs– Emily Roy
PERIODS OF COLLAPSE, or MOTHER RUSSIA– Zadie Zwillinger
Picked Clean– Foyer Brigade
Pretty Girls– Jay Keddie
RAT KING– Yitzi Ben
Remember The Future– StillCrazy
SAINT MATT– Pippi Joy
Salamander– Honoria Dickens
SANDS– Mari King
Savage -Briony Connor
Set you free– Nina Yorke
Shame Circle– Wes Koo
SHED: EXPLODED VIEW – Cornelia Parker
Single Ticket– ButtonMoon
SNOW DAY– Pip Brown
Soothe– Michael Fox
Stall– Jamie Carter
Staying at Stacey’s– Stella Artois
Stop Motion– Billiam Shakerson
Subject to Change– Brylcreemer
SUNSHINE– Felicity Flim-Flam
T&B– Boo Boo The Foo
Tahara– KV Mason
The 8th Day– Grace
the aves– pudding
The Bees Are All Dead– TK Laughton
The Boy with the Bee Jar– Jack Redman
THE BRAHAN CHILD– CHARLIE BOO
The Devil’s In The Chair– Niall Rooney
The European Hare– Tortellini De Beaumarchais
The Family Unit– Rose Lawson
The Grove– Nieh’s Daughter
The Home Front– Keith Wrass
The Jackanooni– Scarlett Gallimore
The King Is Dead– Bryony Noble
The Monsters– Clare Quilty
The Morgue of Dogs– Llewelyn Blocquet
The New Voice of Home– Laoynette Henry
THE SLEEPWALKERS– Alma Shepherd
The True History of Susanna Shakespeare– Parker Gratwick
This is my Verse. This is my Song.– Jo Casey
This is Where We Were Now– Tyrone Power
This Land Was Made – Sonnet Alexander
Tinsel & Turkey– Sheila Gregory
TITLE REDACTED– Pep Gladiola
untitled– Furtive Bird
Virtue– Sol Wythens
Warchild– Ladybugs
What Does It Take To Slay A Dragon?– Saint George
WHITE LIGHTNING– Wesley Walker
Wilt– Florence Mortimer
WINGS– Cryptogran
Winter Came– Hillary Britain
Woodpecker No1– X.Y.Z.
Yellow Bird– Marion Winks
You didn’t know you were thirsty until you started to drink– blrfitzhugh
Congratulations to all participants, including those who haven’t made it to the longlist this year- it’s been an especially difficult year to narrow down submissions. We have huge respect and admiration for every single writer who has taken the time to tell their story, and who has been brave enough to share their work with us.
Please remember, if you are in the longlist your play is also currently up for further reading and discussion for the shortlist of top fifteen plays. Please don’t throw away your anonymity.
Congratulations to everyone who made the longlist – and good luck with the next phase!
As for the rest of us – I’d imagine most people who dream about writing a play never put pen to paper
Of those who do, I imagine most never complete a draft.
Of those who complete a draft, I imagine most never have the nerve to share it.
If the play you’ve submitted is a story you HAVE to tell, please don’t give up!
If it’s not – write one that is . . .
10:36 am, 12 Sep 2019
For those of us who weren’t lucky enough to make the list, will there be any indication as to how far we got in the readings? Although it may be painful, it might help to know that we’re still in with a chance of being successful at some point.
And is there any particular genre that stood more of a chance than others, when looking at what actually made the list? Like if someone writes comedy plays, are they always at a disadvantage compared with more serious drama for instance?
3:50 pm, 12 Sep 2019
I’m really sorry, as I do understand why you might want info on what stage your play got to, but I’m afraid it’s not something we are able to offer. All feedback is only ever provided via the full Royal Exchange Theatre script report format, and as of yet we don’t have the budget or capacity to offer this to all entrants.
I should say that writing a full play, and submitting it for others to read is a great success. Please don’t be disheartened if you are not on this list, as we mentioned above the readers fed back that this years scripts were of a very high quality. Please keep redrafting, and submit your work to other opportunities.
Regarding your question on genre- it’s not really a concern of the readers. We’ve certainly seen a very broad range of forms of the theatre in the longlist, and shortlist.
Thank you
Chloe Smith
Bruntwood Prize Co-ordinator
3:57 pm, 12 Sep 2019
So just to clarify: if you are on the longlist but DIDN’T receive a phonecall yesterday it means you haven’t made the shortlist? Bit of a mixture of good and bad news all at once!
4:37 pm, 13 Sep 2019
Yes- it’s a big day!
We have contacted all of the shortlisted writers now. I’ll be in touch with all of the longlist in early December, with a full script report of your submission, Bruntwood Prize 2019 digital branding, and invites to meet us either here at the Royal Exchange Theatre Manchester if you are based in the North West, or your local producing theatre elsewhere. I do also introduce producer and directors who have read your work and are interested in meeting you to discuss it further.
Looking forward to finding out who everyone is!
Thank you
Chloe Smith
Bruntwood Prize Co-ordinator
4:43 pm, 13 Sep 2019
Hello! So now the shortlist has been informed, can those longlisted but not shortlisted talk about it? And if not, will the longlist be published with actual names at some point? Just wondering as I think it says online that the shortlist will be published with names but doesn’t mention the longlist. I could be wrong. Thanks!
9:50 pm, 13 Sep 2019
Hi
In the past, we have considered this but as anonymity is at the heart of the Bruntwood Prize, we feel it’s important that revealing their identity is in the hands of the playwright – that’s why we provide a long list digital “badge” to all the long listed playwrights that they can use if they wish.
We also can’t reveal anything until after 15th October when we reveal the shortlist as these scripts are still being judged and therefore we don’t want to compromise their anonymity in any way. If, after the announcement of the shortlist on 15th October, anyone wants to reveal their identity on the website, they can through the comments here.
That way the power and choice lies with the playwright rather than us going and revealing everyone and taking it out of their hands.
I should also say, at this point I don’t actually know the identity of the full longlist. Longlist scripts are now with another stage of readers, who will provide a full script report taking into the account of all of the readers so far. I’ll be in touch with the longlist with these reports, digital badges and invites to meet in early December. This sometimes takes a little bit of time, as playwrights will often also anonymise their email addresses, or use the emails of friends and family.
Thank you!
Chloe Smith
Bruntwood Prize Co-ordinator
12:35 pm, 14 Sep 2019
Hi,
I’m applying for funding for a show based on another script of mine (I’m the writer of Chekhov Got His Gun, in the longlist) and the application requires me to supply 2 referees who can “comment on my literary work”. I know it’s a long shot but is there any way I could put someone from Bruntwood forwards as a referee based on the longlist nomination?
Thanks!
Oliver.
6:04 pm, 21 Oct 2019
Yes of course! We’re always happy to do this. Will you email me on Bruntwood.prize@royalexchange.co.uk with what you need? We still have long listed scripts out with the very final stage of readers from script reports, but I can certainly write you something based on your long listing.
Best
Chloe Smith
Bruntwood Prize Co-ordinator
6:06 pm, 21 Oct 2019